Marit Neeb

Places, an arts CD-ROM, is an imaginary universe made up of the interplay of fact (history, presence, future planning) and fiction, that merges image and sound recordings of different procedures performed in different places around my home.
All action lines form rhythms. Time is structured to form space. In Places, space is not understood as a backdrop but rather as a direct terrain for subjective, existential relationships. The understanding of space develops as a perception of space as a palpable experience. Space also always manifests itself in one’s own body.
The work attempts a shaping of space as a reminder that spatial conception, whether in retrospect, in the present or the future, is a cultural practice, a learned capacity primarily expressed as an intellectual bearing.

Places, an arts CD-ROM, is an imaginary universe made up of the interplay of fact (history, presence, future planning) and fiction, that merges image and sound recordings of different procedures performed in different places around my home.
All action lines form rhythms. Time is structured to form space. In Places, space is not understood as a backdrop but rather as a direct terrain for subjective, existential relationships. The understanding of space develops as a perception of space as a palpable experience. Space also always manifests itself in one’s own body.
The work attempts a shaping of space as a reminder that spatial conception, whether in retrospect, in the present or the future, is a cultural practice, a learned capacity primarily expressed as an intellectual bearing.

Places, an arts CD-ROM, is an imaginary universe made up of the interplay of fact (history, presence, future planning) and fiction, that merges image and sound recordings of different procedures performed in different places around my home.
All action lines form rhythms. Time is structured to form space. In Places, space is not understood as a backdrop but rather as a direct terrain for subjective, existential relationships. The understanding of space develops as a perception of space as a palpable experience. Space also always manifests itself in one’s own body.
The work attempts a shaping of space as a reminder that spatial conception, whether in retrospect, in the present or the future, is a cultural practice, a learned capacity primarily expressed as an intellectual bearing.

Places, an arts CD-ROM, is an imaginary universe made up of the interplay of fact (history, presence, future planning) and fiction, that merges image and sound recordings of different procedures performed in different places around my home.
All action lines form rhythms. Time is structured to form space. In Places, space is not understood as a backdrop but rather as a direct terrain for subjective, existential relationships. The understanding of space develops as a perception of space as a palpable experience. Space also always manifests itself in one’s own body.
The work attempts a shaping of space as a reminder that spatial conception, whether in retrospect, in the present or the future, is a cultural practice, a learned capacity primarily expressed as an intellectual bearing.